Five Minutes explores five minutes of a life in one hundred words. Five minutes is edited by Susanna Baird, with editorial support from managing editor Maria s. picone and founding reader bobbi lerman; March READERS isabelle B.L, Sara Bednark, Amanda Callais, Ian Li, Nia Mahmud, April Mccloud, Nina Miller, and Clorissa Phillips; and March Editorial intern Kate meen. Five Minutes was founded in October 2020, with the Salem (Mass)-based writing group Carrot Cake Writers supplying the journal’s first pieces. We’d love to read your five. Submit here

April 13, 1964

Everyone, including white people, sees it. Anne Bancroft, the previous year’s Best Actress winner, steps on stage to present the best actor award. She wears opera gloves and a white gown with spaghetti straps. Dark bangs brush her eyebrows. The camera zooms in. Her mouth opens. “The nominees for Best Actor are Albert Finney, Richard Harris . . . .” No applause. Faint, barely audible applause follows the reading of Rex Harrison’s name. Paul Newman’s name draws more audible applause. Clapping after Sidney Poitier’s name rings loudly and more sonorously than anything before. “One of us is winning the damn thing,” my grandmother says.

Keith Hood is a writer, former janitor, window cleaner, and field technician for a Michigan electric utility until his retirement after 32 years avoiding electrocution. Keithhoodwriter.com Twitter: @gatster

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